Winter 2015

Vaughan Williams' Fantasia became and remained an immediate favorite when first performed in 1912. The haunting modal melodies of three old English carols are fancifully arranged by this master composer for singers, soloist, and strings. And you'll hear two chorales, later works of Vaughan Williams.

The selections from Praetorius' many Nativity choral songs range from the lively to the contemplative. One of them is Es ist ein Ros entsprungen — better known to English-speaking audiences as Lo, how a rose e'er blooming.

From the upper Midwest comes The Longest Nights, choral settings of seven poems about winter by Timothy C. Takach, who is rapidly gaining national recognition as a composer. Oriana is honored to present the Massachusetts premiere of this remarkable work.

Christoph Graupner, a prolific contemporary of J.S. Bach, wrote some 1418 church cantatas! For over two centuries, legal complications kept his music from becoming widely known. We present what is likely the Massachusetts premiere of the cantata Welcher Glanz erhellt den Dampf, for Oriana’s director has transcribed it directly from a facsimile of Graupner's manuscript! A period instrumental ensemble accompanies.

Read a review of this program at The Boston Musical Intelligencer.