Winter 2017

The age-old familiar story of the Nativity, as told from many perspectives:

immortal words of the scriptures, set to immaculate choral music by six composers of the late Renaissance and early Baroque...

the evocative poetry of Richard Crashaw, a near-contemporary of Shakespeare, set for choral voices by Kenneth Leighton: A Hymn of the Nativity...

the foreboding poetry of Laurie Lee, a 20th-century British poet, set for choral voices by Samuel Barber: Twelfth Night...

the poetry of a handful of 17th-century Lutheran theologians, brought together as the text of Bach’s Cantata BWV 40: Dazu ist erschienen der Sohn Gottes.

Program

Tomás Luis de Victoria (ca. 1548-1611) – Ne timeas, Maria

Hans Leo Hassler (1564-1612) – Dixit Maria ad angelum

Giovanni Gabrieli (1557-1612) – Hodie Christus natus est

Giovanni Pierluigi da Palestrina (1525?-1594) – O magnum mysterium

Jan Pieterszoon Sweelinck (1562-1621) – Angelus ad pastores ait

Giovanni Pierluigi da Palestrina (1525?-1594) – Quem vidistis, pastores

Orlando di Lasso (1532-1594) – Videntes stellam

Kenneth Leighton (1929-1988) – A Hymn of the Nativity

Samuel Barber (1910-1981) – Twelfth night

Johann Sebastian Bach (1685-1750) – Dazu ist erschienen der Sohn Gottes (BWV 40)

Schedule

  • Cambridge

    8pm Friday, Dec. 1, 2017
    University Lutheran Church
    66 Winthrop Street
    Cambridge, MA

  • Brookline

    5pm Sunday, Dec. 3, 2017
    Church of Our Saviour
    25 Monmouth Street
    Brookline, MA

  • Boston

    8pm Saturday, Dec. 9, 2017
    First Lutheran Church of Boston
    Berkeley & Marlborough Streets
    Boston, MA

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Spring 2018 - The Enduring Muse: The choral ideal, then and now

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Spring 2017 - Endings and Beginnings: Choral music as remembrance