spring 2018

Treat your ears to some infrequently-performed yet beautiful and delightful choral works by lesser-known composers! You will hear: Expressive choral settings of German Romantic poetry by Fanny Mendelssohn Hensel (Felix's older sister). Three choruses by Boston's own Amy Beach on words from Shakespeare's "A Midsummer Night’s Dream." Gerald Finzi's sensitive choral settings of seven poems of Robert Bridges, written before he became England's Poet Laureate in 1913. Franz Biebl's beautiful "Ave Maria," neglected for six years until the Cornell University Glee Club discovered it in 1970. Two pieces by Ludwig Senfl, an early 16th century Swiss: a sacred motet and a lively mimetic piece that sounds like bells in a cathedral tower.

Program


Gerald Finzi (1901-1956) – Seven poems of Robert Bridges

Partsongs, op. 17

Fanny Mendelssohn Hensel (1805-1847) – Gartenlieder (selections)

Ludwig Senfl (~1486-1542) – Gling glang (Glaüt zu Speyer)

De profundis clamavi

Franz Biebl – Ave Maria

Amy Beach (1867-1944) – Shakespeare Choruses, op. 39

Schedule

  • CAMBRIDGE

    8pm Friday, May 4, 2018
    University Lutheran Church
    66 Winthrop Street
    Cambridge, MA

  • Concord

    5pm Sunday, May 6, 2018
    First Parish of Concord
    20 Lexington Road
    Concord, MA

  • Boston

    8pm Saturday, May 12, 2018
    First Lutheran Church of Boston
    Berkeley & Marlborough Streets
    Boston, MA

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Winter 2018 - Cycles: Songs and seasons recede and renew

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Spring 2018 - The Enduring Muse: The choral ideal, then and now